| Kirsten Reynolds | |
|---|---|
| Birth name | Kirsten Jane Reynolds |
| Born | August 27, 1968 Macclesfield, Cheshire |
| Nationality | British |
| Works | Ex Memoria, Danger Matches |
| Awards | Artist of the British Empire,[1] |
Kirsten Reynolds is a British artist who makes works using a wide variety of media. She often works with sound and light and uses electronics, video and found objects to make artworks. Her practice also encompasses drawing, painting, sculpture, collage and print-making. Kirsten Reynolds has often worked in collaboration with other artists and musicians, a working method that began when she joined Bow Gamelan Ensemble in 1990 and worked with artist Paul Burwell making and playing scrap metal instruments and drums.
In 1995 Kirsten Reynolds and Ashley Davies formed the 'bleakly titled collaboration' [2] Project Dark an experimental art and music group. Project Dark were invited by writer, musician and curator David Toop to participate in Sonic Boom an international sound art exhibition that took place in 2001 at the Hayward Gallery London.[3]
In her work Reynolds seeks the extraordinary in the everyday, a fascination that can be seen in the work Ex Memoria that takes discarded, old-fashioned standard lamps from the charity shops of her home town of St Leonards-on-Sea and combines them with speakers and control systems enabling the recycled lamps to be 'fitfully engaged in squeaky electronic chatter' according to Robert Sandall.[4]
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Kirsten Reynolds was born in Macclesfield, Cheshire in 1968. She gained a BA in Fine Art Sculpture at Kingston Polytechnic (now Kingston University) graduating in 1996. In 1995 Reynolds moved to Limehouse in London’s East End and met Paul Burwell who lived and worked in the nearby area of Bow. The week after she graduated she began working with Burwell making sculptural instruments and learning drumming in preparation for a series of performances at Riverside Studios, Hammersmith. Reynolds continued to work with Burwell for many years, and collaborated on a large performance during his residency at the Midlands Arts Centre in 1992.[5]
Through this work she met artist Mark Anderson and Anne Bean who she has worked with on many projects including the ongoing Power Plant events. Power Plant was first commissioned by Oxford Contemporary Music [6] and the University of Oxford Botanic Garden where the first Power Plant event took place in September 2005.
Power Plant was also shown in Calderstones Park Liverpool for the European Capital of Culture event in 2008 and as part of the British Council showcase at the Royal Botanic Garden Edinburgh during the Edinburgh International Festival 2009.[7]
Kirsten Reynolds has been collaborating with painter Alan Rankle since 2008 and their first major joint exhibition On the Edge of Wrong took place at the Fondazione Stelline, Milan, Italy in February 2010.[8]
After playing with The Bow Gamelan, Kirsten Reynolds went on to join the multiple drummer, multiple bass player band Headbutt. A two hour rehearsal at The Premises Studios in Hackney, London had the dual function of an audition and rehearsal for a 5 week European tour during which long hours traveling in the group van provided the time and boredom for Kirsten Reynolds and Ashley Davies to create the experimental duo Project Dark.
Operating as an art record label, Project Dark created limited edition 7-inch singles made from human hair, circular saws, tree sections, and biscuit. These discs formed the basis of a live DJ show using discarded record decks and gramophones. Project Dark showed a selection of their catalogue of unusual discs alongside other disc-related works by Marcel Duchamp and Christian Marclay and in the group show Groove: Artists and Vinyl at the Huddersfield Art Gallery in 2002.[9]
A live show Excited by Gramophones was presented at the invitation of legendary radio DJ John Peel during his Meltdown 1998 festival at the Queen Elizabeth Hall, South Bank Centre, London.[10] The pair tested the limits of health and safety regulations by ending the show with a rocket-propelled record that finally exploded destroying the acrylic lid of the record player.
In 2002 Kirsten Reynolds and Ashley Davies co-founded the art and music label Phono Erotic releasing limited edition records and related artworks. In the same year between Christmas and New Year in a tiny studio in a railway arch in Camden, London Reynolds and Davies recorded an EP entitled Stand Up or Give Up under the moniker Dirthole. Within weeks this duo had become a 10-piece garage punk band with 4 stand-up drummers and had changed its name to The London Dirthole Company.
Since then The London Dirthole Company have released four 7-inch singles and two vinyl albums and play regularly in London and in 2008 toured in the US collaborating with American musicians for shows in Nashville, Memphis, New York and recorded a WFMU radio session in New Jersey.[11]
In 2006 Kirsten Reynolds began a curatorial collaboration with Line Rosenvinge creating the This is Not a Pen project. Subtitled The Gallery for Your Pocket, the project commissions artists to design a work within the format of the float pen; a tiny space with a single moving part. This is an ongoing series and to date pens have been produced by Mat Collishaw, Peter Callesen, Katherine Ærtebjerg and Danish artist group Paint Over.